Using a light table or window secure the pattern with masking tape and
center the fabric over the pattern. The pink "+" on the Angel's hand
on the pattern marks the center of the design. Then trace all the lines
with a fine brown 005 Micron Pigma pen. Just make a small dot to
show the placement of the French knots.
I like to use Prismacolor Premier Colored Pencils. I bought the 24 count
tin and used half of the colors. I love all of the colors, and can’t imagine
what it would be like to own the entire set of 150 in a neat
organized tin. Maybe someday! But I digress.
Mount the fabric backwards in a large hoop so that the fabric is held
securely but you can place it on a hard surface to be able to apply the colors.
With your colored pencils shade the Angel as shown in the picture below.
Here are a couple of close-ups for more detail. The top half...
...and the bottom including the star basket and red shoes!
The colors I used are listed in the following table. Most of my
coloring was just around the edges to accent the embroidery we will
be doing soon like the light green around the edges of the dress.
When using colored pencils in your quilting and embroidery,
a textile setting medium must be applied, allowed to dry, and
then heat set to make the color a permanent part of the fabric.
I like to use Jacquard Textile Color #100 Colorless Extender.
This product can be found in art supply stores, or you can use
Plaid brand FolkArt Textile Medium available at most craft stores.
The Jacquard Textile Colorless Extender is a milky white in the jar,
but dries clear. Again, it helps to secure the background fabric in a
large hoop for this step of the process, so remount the fabric in the
hoop in the normal manner. With a paintbrush apply the extender to all
areas of the fabric that are colored. Note: if using FolkArt Textile Medium
be careful to rinse your brush in between different colors and do not
paint any areas that are not colored as they will be stained. With the
Jacquard brand I didn’t have to be that careful as it worked beautifully
right out of the jar. Rinse your brush in water to clean the bristles.
Be sure to follow the manufacturer’s recommendation on the back
of the jar for this step. Jacquard says to allow the extender to air dry
for a couple of hours, remove the hoop and from the wrong side of
the fabric, carefully heat set the colored areas with a medium hot iron
for about 30 seconds, watching that you do not scorch the fabric.
Now cut a 9” x 11” piece of light to medium weight fusible interfacing
and iron it onto the back of the background fabric according to the
manufacturer’s instructions. I used medium weight Pellon 911FF
fusible interfacing for this step. Using an added layer of interfacing
helps prevent shadowing of the crossovers and knots (if you use them)
on the backside of your embroidered piece. Some people believe in
using knots to begin and end their floss ends and some don’t.
It is up to you how you wish to secure your floss ends.
The handy embroidery supplies pictured above (from top
to bottom) include a 4” hoop, a Clover needle threader,
Gingher 4” embroidery scissors, a pack of size 7 Bohin crewel
embroidery needles, and a brown 005 Micron Pigma pen.
We’ll keep it simple and only use 2 different embroidery stitches:
1) the Back Stitch and 2) the French Knot.
If you are confident with your embroidery skills feel
free to commence stitching. Otherwise we’ll review
the steps you’ll need to know now.
THE BACK STITCH
This is pretty simple. Mount the fabric in the hoop, thread a needle with
2 strands of floss, and knot the end if you wish. Holding the hoop
right-side up poke the threaded needle up from the backside at
Point #1 and pull the thread all the way through. Insert the needle
from the top side of the fabric down at Point #2 and back up
at Point #3 and again pull the needle and thread all
the way through to complete the back stitch.
I like to keep the length of each of the stitches about 1/8”
or less depending on how tight the curve is I am stitching.
The smaller the stitches the sharper the curve you can nicely stitch.
Repeat inserting the needle in the fabric at Point #2 and bringing it up
at Point #3 following the line you wish to stitch. Be careful to not pull
the thread too tightly as you stitch. Keeping a nice even tension is best.
THE FRENCH KNOT
A lot of embroiderers hate French Knots. I think the key to making
them is controlling the tension on the thread at all times.
Remember, practice makes perfect. So here we go.
STEP 1: Again, have your fabric mounted in the hoop, thread a
needle with 2 strands of floss, and knot the end if you wish.
Holding the hoop right-side up poke the threaded needle up from
the backside at Point A and pull the thread all the way
through. Hold the thread taut with your left hand
(if you are right handed) as shown above.
STEP 2: With the needle pointed away from the fabric wrap the thread
around the needle the required number of wraps around the taut thread.
STEP 3: Without losing the thread wraps, carefully poke the needle
back down into the fabric close to Point A. Continue to control
the thread tension with your other hand as you pull the
remainder of the thread through to the back side.
STEP 4: Admire your beautifully stitched French Knot!
So now we are ready to hand stitch the angel. You can see all
of the colors of DMC 6-strand embroidery floss I used in this
project. DMC #5282 is a metallic floss, but it's really not that
hard to work with and adds a nice touch to the embroidery.
The floss table below
is a guide to the colors to use for the different
parts of the Angel including the number of strands and the
number of wraps for the French Knots wherever they occur.
Stitch the parts of the Angel in any order you wish, but just have
fun with it! It is very rewarding to watch the progress
of a project like this and see it through to the end.
Back stitch all the lines and stitch French Knots on all of the dots.
Once your hand stitching is complete, remove the hoop and carefully
press the embroidery from the wrong side. You may gently hand
wash the piece if you wish, then towel blot and iron it dry.
With a rotary cutter and ruler, center and trim the design to
5.5” wide by 7.5” high.
We’re going to do a quick-finish now,
flip-quilting it so the completed piece will measure
8” x 10” with a hanging pocket on the back. You’ll need a
small piece of thin batting and a couple of fat quarters of
coordinating cotton fabric to complement the colors
in the finished Crystal Angel embroidery.
Cut the batting 8.5” x 10.5”
Cut backing fabric 8.5” x 10.5”
Cut 4 squares 2.75” x 2.75” for corners
Cut 2 – 2” x 9.5” strips for side sashing
Cut 2 – 2” x 8.5” strips for top and bottom sashing
Cut 1 – 2.5” x 7.75” for hanging pocket
Place backing right side down with batting centered on the top.
Center the embroidery on top of the batting and pin in place.
Press each of the four 2.75” squares in half diagonally.
Place one on each corner of the embroidery and pin as shown.
Pin each of the 2” x 9.5” strips with their right sides down
along long side edges of embroidery and sew with a ¼” seam.
You will be sewing through the side piece, triangle,
embroidery, batting and backing all in one step.
Press each side fabric piece away from the
embroidery and pin in place along outer side edges.
In the same manner, pin each of the 2” x 8.5” strips with their right
sides down along the short top and bottom edges of the embroidery
and sew with a ¼” seam (as shown below). Wait on pressing these strips
in place until the hanging pocket is sewn in place in the next step.
On both of the short edges of the 3” x 7.75” hanging
pocket piece turn under edges ¼” twice.
Stitch close to first fold to hem on both edges.
With pencil lightly mark a line centered down the length of this strip
(1.25” from each edge). Center this pocket piece right
sides together on the top edge of the back.
Sew along this center line through all three layers (pocket strip,
backing, and batting). Press bottom edge of pocket along
sewing toward the top, matching edges. Pin in place.
Now press the 2” x 8.5” strips on the front away from the
embroidery toward the top and bottom edges and pin in place.
Lightly press the entire piece. Evenly rotary trim the edges
so that the piece measures 8” wide by 10” tall.
Bind all edges as desired. This is how I did my binding:
For the binding fabric cut bias strips 2” wide and at least 38”
long (piece together strips if necessary). Sew binding right sides
together onto front of quilt with a 3/8” seam mitering corners as
you go. Turn binding to back and hand whip stitch in place.
Turn the four bias triangles away from embroidery and
lightly press as pictured above. Hand sew a decorative
button, as shown in photo below, on each one.
Insert wire hanger into pocket, hang on your wall and enjoy!
Thanks for “hanging” in there with me
through these lengthy instructions.
Happy New Year and a blessed 2012 to you and yours!